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Outro Music: “Fair Is Foul & Foul Is Fair” by Babes In Toyland “Dialogue: Macbeth and the Movies,” by Scott Tobias and Keith Phipps ().“The Tragedy of Macbeth Is Pretty Much Just One Phenomenal Denzel Washington Performance,” by Alison Willmore ().“In the Coen brothers' punishing world, morals are everything,” by Tasha Robinson ().Please share your comments, thoughts, and questions about THRONE OF BLOOD, THE TRAGEDY OF MACBETH, or anything else in the world of film, by sending an email We may respond to it on our Patreon (/NextPictureShow), where you can also find bonus episodes, a weekly newsletter, recommendations, and more. Then we bring Akira Kurosawa's THRONE OF BLOOD back into the conversation to compare the two films' chicken-or-the-egg prophecies, their minimalist/maximalist styles, and the shared motivation to adapt this story in the first place.
#Mousterpiece cinema patreon series
Is Joel Coen's new THE TRAGEDY OF MACBETH the most by-the-letter, scrupulous adaptation of Shakespeare's play ever put to screen, or a series of subtle but surprising decisions applied to an extremely familiar text? We're a little divided on that question this week, as we're joined once again by David Chen, host of the Culturally Relevant podcast (among many other projects), to parse what distinguishes this approach to The Scottish Play, how it plays within the Coen filmography, and whether every other Coen film is also, in fact, Macbeth. Plus, the championship round of Filmspotting Madness-Best of the '70s.ĥ1:39 - Filmspotting Madness-Best of the '70sġ:00:12 - The Next Picture Show: "After Yang" We also share a recent review of "Yang" from our sister podcast, The Next Picture Show, hosted by Tasha Robinson, Scott Tobias, Genevieve Koski, and Keith Phipps. In his conversation with the director, Adam asks about Kogonada's preoccupation with grieving, the quiet, non-confrontational style of his films, and the origins of "After Yang"'s thrilling title sequence. "After Yang" takes place in a near-future that's populated by techno-sapiens, clones, and self-driving cars, but its characters struggle with all too familiar things like death, grief, and the meaning of life. With his first two films, 2017's "Columbus" and the new AFTER YANG, director Kogonada has established a meditative style of filmmaking that rewards close attention.